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When we approach the corpse as spectacle , the active spectatorial position is not one of exchange between the viewer and the viewed object , and the power of the active gaze rests with the viewer . Slavenka Drakuliç provides an example ...
When we approach the corpse as spectacle , the active spectatorial position is not one of exchange between the viewer and the viewed object , and the power of the active gaze rests with the viewer . Slavenka Drakuliç provides an example ...
Síða 48
He neither gave an autobio- graphical account of his own experiences in potential isolation from other persons , as might the accused ; neither was he in the position to synthesize all of the evidence in a case in order to reach a ...
He neither gave an autobio- graphical account of his own experiences in potential isolation from other persons , as might the accused ; neither was he in the position to synthesize all of the evidence in a case in order to reach a ...
Síða 200
Hurston further bolsters Kossula's primary speaking position with the " de - automization " of the reader through " interlocutive and conversational markers " included in the text that " constantly put the reader on alert " ( Beverly ...
Hurston further bolsters Kossula's primary speaking position with the " de - automization " of the reader through " interlocutive and conversational markers " included in the text that " constantly put the reader on alert " ( Beverly ...
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Efni
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