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Síða 164
Feminist Genealogies , Colonial Legacies , Democratic Futures . Ed . M. Jacqui Alexander and Chandra Talpade Mo- hanty . New York : Routledge , 1997. 170–182 . Hartman , Saidiya . Scenes of Subjection : Terror , Slavery , and Self ...
Feminist Genealogies , Colonial Legacies , Democratic Futures . Ed . M. Jacqui Alexander and Chandra Talpade Mo- hanty . New York : Routledge , 1997. 170–182 . Hartman , Saidiya . Scenes of Subjection : Terror , Slavery , and Self ...
Síða 298
At the end of the 2000 Loving in the War Years , Moraga sees her mixed - race identity through Miguel Cabrera's casta family paintings of colonial Mexico . Moraga is the Chicana / Mexicana / white child looking back at her Indian ances- ...
At the end of the 2000 Loving in the War Years , Moraga sees her mixed - race identity through Miguel Cabrera's casta family paintings of colonial Mexico . Moraga is the Chicana / Mexicana / white child looking back at her Indian ances- ...
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