Flowers in the Dustbin: Culture, Anarchy, and Postwar EnglandUniversity of Michigan Press, 1993 - 404 síður Explores the connection between high literary culture and popular culture and argues for cultural anarchism as a form of creative resistance. |
Efni
Introduction | 1 |
The AvantGarde Tradition and Cultural Studies | 31 |
Theorizing Authoritarian Culture | 87 |
Höfundarréttur | |
4 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Flowers in the Dustbin: Culture, Anarchy, and Postwar England Neil Nehring Engin sýnishorn í boði - 1993 |
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abstract activity actually aesthetic affluence alienation American anarchism anarchist artist audience authoritarian avant-garde Bakhtin Benjamin Brecht Brighton Rock Burgess capitalism Clockwork Clockwork Orange commercial communication concern consumption contradictions counterculture creative crisis critical critique cultural forms cultural studies Debord describes detournement dialectic discourse dominant Eagleton economic elitism England English everyday experience expression Frith Greene's groups Hall Hebdige hegemonic human ideology images individual intellectual jazz language literary literature London MacInnes Marcus mass culture mass media material McLaren McRobbie meaning ment modernism modernist mods montage movement novel Pinkie political pop music popular culture popular music positive postmodern postmodernist postwar practice production punk punk subculture radical relations resistance result revolutionary rock and roll rock music sense Sex Pistols significant Sinfield Situationist International social society song specifically subcultural style symbolic teddy boys teds teenage television texts theory tion traditional ture voice young youth culture youth subcultures