Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 4
Síða 33
... workers have " food names " like Ginger Nut or Turkey , and their office production is regulated according to the organic rhythm and circulation of their own bodies . Yet he stands outside this economy , as the unnamed , first Fall ...
... workers have " food names " like Ginger Nut or Turkey , and their office production is regulated according to the organic rhythm and circulation of their own bodies . Yet he stands outside this economy , as the unnamed , first Fall ...
Síða 34
... workers as a common " body " or family . More and more locked in his " dead- wall reveries , " Bartleby stops eating altogether . In the end he is arrested and put into prison where he dies of starvation . - - Melville's story is ...
... workers as a common " body " or family . More and more locked in his " dead- wall reveries , " Bartleby stops eating altogether . In the end he is arrested and put into prison where he dies of starvation . - - Melville's story is ...
Síða 123
... worker could be read as the presence of Han ethics intended for Han women . Or , that the film Visitor Over Ice Mountains , was as much about Sino - Soviet border clashes and political " dissidents " in the Pamir Plateau as it was about ...
... worker could be read as the presence of Han ethics intended for Han women . Or , that the film Visitor Over Ice Mountains , was as much about Sino - Soviet border clashes and political " dissidents " in the Pamir Plateau as it was about ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth