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Síða 14
In the aporia " I am the car , " in this logical contradiction , the whole dead - end street into which the body steers woman in our culture becomes recognizable . The passe becomes for woman a dead - end street - an impasse .
In the aporia " I am the car , " in this logical contradiction , the whole dead - end street into which the body steers woman in our culture becomes recognizable . The passe becomes for woman a dead - end street - an impasse .
Síða 20
How does the ego ( of woman ) form itself obliquely through the typical identifications of the subject , where it can recognize itself , if society either blocks the goals of identification for woman , or makes them diffuse or randomly ...
How does the ego ( of woman ) form itself obliquely through the typical identifications of the subject , where it can recognize itself , if society either blocks the goals of identification for woman , or makes them diffuse or randomly ...
Síða 22
geometric splintering of her own body she shows us again the ego dissolution , the virtual space , the virtual absence of the woman , who as " sex that is not one " ( Irigaray ) , avoids every definition , classification , or ...
geometric splintering of her own body she shows us again the ego dissolution , the virtual space , the virtual absence of the woman , who as " sex that is not one " ( Irigaray ) , avoids every definition , classification , or ...
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Efni
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