Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 143
... voice in the classical cinema — an institution which , as Silverman insists , virtu- ally coerces this voice out of its diegetic characters , often to turn it back upon them ( Klute , The Conversation , Three Women ) . The example would ...
... voice in the classical cinema — an institution which , as Silverman insists , virtu- ally coerces this voice out of its diegetic characters , often to turn it back upon them ( Klute , The Conversation , Three Women ) . The example would ...
Síða 144
... voice , and she presents difficult theoretical material clearly and without reductiveness . ( This skill was evident in her first book , The Subject of Semiotics , but is stronger here due to the recent volume's keener focus . ) The ...
... voice , and she presents difficult theoretical material clearly and without reductiveness . ( This skill was evident in her first book , The Subject of Semiotics , but is stronger here due to the recent volume's keener focus . ) The ...
Síða 145
... voice is involved in the various mirrors and projec- tions she describes ( this strikes me as especially important since sight is so commonly allied with masculine forces ) . The connections between woman , sound and the voice do become ...
... voice is involved in the various mirrors and projec- tions she describes ( this strikes me as especially important since sight is so commonly allied with masculine forces ) . The connections between woman , sound and the voice do become ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth