Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 5
Síða 70
... theatrical space of their butch - femme role - playing . Contrast their freely - moving , resonant narrative space with the realism of Marsha Norman , Beth Henley , Irene Fornes's Mud or Sam Shepard's Lie of the Mind . The violence ...
... theatrical space of their butch - femme role - playing . Contrast their freely - moving , resonant narrative space with the realism of Marsha Norman , Beth Henley , Irene Fornes's Mud or Sam Shepard's Lie of the Mind . The violence ...
Síða 119
... theatrical metaphor implicit in this formulation . As " pretense , " masquerade is a form of self - repre- sentation . I also want to call into question the unequivocal notion of the mask as " mere outward show " that hides a " truth ...
... theatrical metaphor implicit in this formulation . As " pretense , " masquerade is a form of self - repre- sentation . I also want to call into question the unequivocal notion of the mask as " mere outward show " that hides a " truth ...
Síða 52
... theatrical ritual , that is to say a public ceremony . I was also amazed at the spectacle of a woman going against the cultural norms that constituted her identity as a woman . Her verbal and gestural virtuosity , energy , and dexterity ...
... theatrical ritual , that is to say a public ceremony . I was also amazed at the spectacle of a woman going against the cultural norms that constituted her identity as a woman . Her verbal and gestural virtuosity , energy , and dexterity ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth