Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 15
Síða 14
... street into which the body steers woman in our culture becomes recognizable . The passe becomes for woman a dead - end street - an impasse . The misery of the culture is increased still more , inasmuch as the cultural work of woman ...
... street into which the body steers woman in our culture becomes recognizable . The passe becomes for woman a dead - end street - an impasse . The misery of the culture is increased still more , inasmuch as the cultural work of woman ...
Síða 33
... Street . Though less visibly monstrous than Gregor Samsa , Bartleby similarly defines himself through the negation , the systematic if polite refusal , of his surroundings . He " prefers not " to do or be what is conventionally expected ...
... Street . Though less visibly monstrous than Gregor Samsa , Bartleby similarly defines himself through the negation , the systematic if polite refusal , of his surroundings . He " prefers not " to do or be what is conventionally expected ...
Síða 34
... soul that suffered , and his soul I could not reach " ( 25 ) . Again we come up against the paradox of a body denied becoming all the more insistently bodily , material , opaque , and literal . If " Wall Street " 34 Discourse 11.1.
... soul that suffered , and his soul I could not reach " ( 25 ) . Again we come up against the paradox of a body denied becoming all the more insistently bodily , material , opaque , and literal . If " Wall Street " 34 Discourse 11.1.
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth