Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 75
Síða 10
... social grammar of masculine desire . Through the social grammar of the body , where the female set pieces such as breasts , belly , bottom , legs , and the like are interchangeable linguistic elements , the woman herself becomes ...
... social grammar of masculine desire . Through the social grammar of the body , where the female set pieces such as breasts , belly , bottom , legs , and the like are interchangeable linguistic elements , the woman herself becomes ...
Síða 11
... social identity of body and woman , to release the feminine Self from the female body and its female biological bodily functions , in a word , how to cancel the social construction of the feminine by patriarchy . - In a phallocratic ...
... social identity of body and woman , to release the feminine Self from the female body and its female biological bodily functions , in a word , how to cancel the social construction of the feminine by patriarchy . - In a phallocratic ...
Síða 34
... social history , and a recent article has compared Bartleby's behavior to the problems of agoraphobia and anorexia in Victorian women.8 But Bartleby's negative self- definition his refusal to eat , speak , or move within the body social ...
... social history , and a recent article has compared Bartleby's behavior to the problems of agoraphobia and anorexia in Victorian women.8 But Bartleby's negative self- definition his refusal to eat , speak , or move within the body social ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth