Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 61
... shot to be that of a supine bare bodied man with his eyes closed . It is this man who was previously involved in a ritual of seduction with the transvestite woman . That scene also ended with him in a supine posture shot from above ...
... shot to be that of a supine bare bodied man with his eyes closed . It is this man who was previously involved in a ritual of seduction with the transvestite woman . That scene also ended with him in a supine posture shot from above ...
Síða 128
... shot her second film on location according to the country's standard of a 3.5 to 1 shooting ratio , with a small budget from the Youth Studio of the Beijing Film Academy . Sacrificed Youth ( 1984 ) , a lyrical piece that set an ...
... shot her second film on location according to the country's standard of a 3.5 to 1 shooting ratio , with a small budget from the Youth Studio of the Beijing Film Academy . Sacrificed Youth ( 1984 ) , a lyrical piece that set an ...
Síða 131
... shot the film . ) " These signi- fiers indeed have magical values that are invested to recuperate the political exhaustion of signs by ultra - leftists during the Cultural Revolution ; but once this " third realm " within China is ...
... shot the film . ) " These signi- fiers indeed have magical values that are invested to recuperate the political exhaustion of signs by ultra - leftists during the Cultural Revolution ; but once this " third realm " within China is ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth