Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 108
... Screen 4 ( Winter- Spring 1982 ) : 34 . 7 In that context , Ginka Steinwachs's comment " With the nine members of the crew [ including Madame X and Hoisin ] the entire body of femininity goes aboard ” — must be read metaphorically since ...
... Screen 4 ( Winter- Spring 1982 ) : 34 . 7 In that context , Ginka Steinwachs's comment " With the nine members of the crew [ including Madame X and Hoisin ] the entire body of femininity goes aboard ” — must be read metaphorically since ...
Síða 131
... screen roles with brief clips shown in chronological order . She was young , she was beautiful . The stated purpose was to honor the body of her work . The cinematic apparatus , of course , showcased her body . The point was to produce ...
... screen roles with brief clips shown in chronological order . She was young , she was beautiful . The stated purpose was to honor the body of her work . The cinematic apparatus , of course , showcased her body . The point was to produce ...
Síða 122
... screen serve to establish a facticity which was congruous with contemporaneous propaganda outside the theaters . Thus , the matching propagandas both inside and outside the movie theaters strengthened the effect of interpellations and ...
... screen serve to establish a facticity which was congruous with contemporaneous propaganda outside the theaters . Thus , the matching propagandas both inside and outside the movie theaters strengthened the effect of interpellations and ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth