Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 4
... rhetoric of the real that is its crux . The crucifixion has therefore ascended to a central phantasm of our culture , because it demonstrates the role of the body in our culture . The body is the medium of the real and the social , of ...
... rhetoric of the real that is its crux . The crucifixion has therefore ascended to a central phantasm of our culture , because it demonstrates the role of the body in our culture . The body is the medium of the real and the social , of ...
Síða 124
... rhetoric of black humor . The nurse reduces Elizabeth Hunter to a body , an object , to a genderless " it " ( " The nurse gathered up the bundle of creaking bones and acerbated flesh and maneuvered it into a seating posi- tion " ) . But ...
... rhetoric of black humor . The nurse reduces Elizabeth Hunter to a body , an object , to a genderless " it " ( " The nurse gathered up the bundle of creaking bones and acerbated flesh and maneuvered it into a seating posi- tion " ) . But ...
Síða 125
... rhetoric of burlesque yields to the rhetoric of revelation . In this scene young and old do coexist in the body in their own peculiar way . Gazing at Elizabeth Hunter from " the best distance , " the nurse sees so much more than did ...
... rhetoric of burlesque yields to the rhetoric of revelation . In this scene young and old do coexist in the body in their own peculiar way . Gazing at Elizabeth Hunter from " the best distance , " the nurse sees so much more than did ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth