Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 56
Síða 24
... represents the power of the man . The insistance of women on the body as their property , their real , not only contradicts the experiences of the highest feminine forms of representation like hysteria and anorexia , and contradicts the ...
... represents the power of the man . The insistance of women on the body as their property , their real , not only contradicts the experiences of the highest feminine forms of representation like hysteria and anorexia , and contradicts the ...
Síða 106
... represents the feminine : not as a vehicle of emotional regression but as the promise of another sensuality . - - All these aspects the mixing of styles , the use of parody and irony as discursive strategies , the emphasis on surfaces ...
... represents the feminine : not as a vehicle of emotional regression but as the promise of another sensuality . - - All these aspects the mixing of styles , the use of parody and irony as discursive strategies , the emphasis on surfaces ...
Síða 154
... represents a life that is mortal ) . This Janus - faced figure of the mother is disseminated throughout Journey to the End of the Night . On the one hand , there is the prostitute Molly , the woman who gives life , who arouses ...
... represents a life that is mortal ) . This Janus - faced figure of the mother is disseminated throughout Journey to the End of the Night . On the one hand , there is the prostitute Molly , the woman who gives life , who arouses ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth