Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 55
Síða 20
... reality principle . But we must ask , is it the reality of the body or the reality of the images ( since these often converge with women ) ? - ― Therefore the feminine aesthetic takes recourse almost exclusively to the ( naked ) body of ...
... reality principle . But we must ask , is it the reality of the body or the reality of the images ( since these often converge with women ) ? - ― Therefore the feminine aesthetic takes recourse almost exclusively to the ( naked ) body of ...
Síða 24
... reality principle that is a power principle . The social - patriarchally prescribed role of the sexes , the idées and images fixes of woman have become a reality , a materiality , whose double and accomplice is the body . As the ...
... reality principle that is a power principle . The social - patriarchally prescribed role of the sexes , the idées and images fixes of woman have become a reality , a materiality , whose double and accomplice is the body . As the ...
Síða 70
... reality with another reality , but to abandon the notion of reality through roles and their seductive atmosphere and to lightly manipulate appearances . Surely , this is the atmosphere of camp , permeating the mise - en - scène with ...
... reality with another reality , but to abandon the notion of reality through roles and their seductive atmosphere and to lightly manipulate appearances . Surely , this is the atmosphere of camp , permeating the mise - en - scène with ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth