Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 3
Síða 127
... proper name and the body is not an immu- table one . This bars the way to the very notion of the subject identical to itself through the peripetia of its history . There is no subject because s / he changes bodies , and by changing ...
... proper name and the body is not an immu- table one . This bars the way to the very notion of the subject identical to itself through the peripetia of its history . There is no subject because s / he changes bodies , and by changing ...
Síða 11
... names , but it is never named in the singular . Unlike the anthropologist and the Han , who in their dominant ... correct representation ) , the filmmaker here decides to partic- ipate in an " ethnography of cultural hybridization " by ...
... names , but it is never named in the singular . Unlike the anthropologist and the Han , who in their dominant ... correct representation ) , the filmmaker here decides to partic- ipate in an " ethnography of cultural hybridization " by ...
Síða 20
... term fatality . It is obvious that the debate we are opening refers not to the calm transparency of a necessarily reductive scientific discourse , nor to the conditions of possibility of a theory which , starting from an inconceivable ...
... term fatality . It is obvious that the debate we are opening refers not to the calm transparency of a necessarily reductive scientific discourse , nor to the conditions of possibility of a theory which , starting from an inconceivable ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth