Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 52
Síða 19
... produced are the portrayals of a reality that isn't the same actuality for everyone , but which , as socially constructed , represents different interests . The camera , which has produced the image lying in the cultural developing tray ...
... produced are the portrayals of a reality that isn't the same actuality for everyone , but which , as socially constructed , represents different interests . The camera , which has produced the image lying in the cultural developing tray ...
Síða 60
... produced a camp discourse that included a pronomial Gomorrah , in which gender referents are suppressed , or slip into one another , fictional lovers are constructed , metaphors substitute for literal descrip- tions , and the characters ...
... produced a camp discourse that included a pronomial Gomorrah , in which gender referents are suppressed , or slip into one another , fictional lovers are constructed , metaphors substitute for literal descrip- tions , and the characters ...
Síða 41
... produced and will never produce an Einstein , or a Stravinsky , or a Gershwin ( Jules Romains ) , but it is the blacks themselves who must express this . They must discover it through the mouths of Africans who intervene , having been ...
... produced and will never produce an Einstein , or a Stravinsky , or a Gershwin ( Jules Romains ) , but it is the blacks themselves who must express this . They must discover it through the mouths of Africans who intervene , having been ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth