Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 50
... person or assuming the position of a maso- chist . It even seems reasonable to suppose that the oppressed person may see more deeply into the joke than the oppressor is often able or willing to do . . . . Surely , Doane herself in her ...
... person or assuming the position of a maso- chist . It even seems reasonable to suppose that the oppressed person may see more deeply into the joke than the oppressor is often able or willing to do . . . . Surely , Doane herself in her ...
Síða 154
... person narrator who sometimes coincides with Céline himself is one of the ways he uses the form of the novel to enact an identification with the figure of woman . The irony , as Kristeva points out , is that Céline confronts the figure ...
... person narrator who sometimes coincides with Céline himself is one of the ways he uses the form of the novel to enact an identification with the figure of woman . The irony , as Kristeva points out , is that Céline confronts the figure ...
Síða 105
... person in his relations and contacts with divine things , let alone with God himself . For these Marabouts each person can talk directly to God , without an intermediary . " On the contrary , the old guards of the traditional school ...
... person in his relations and contacts with divine things , let alone with God himself . For these Marabouts each person can talk directly to God , without an intermediary . " On the contrary , the old guards of the traditional school ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth