Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 144
... opening essay ( one of film theory's best ) that the notion of lack is nothing more than the projection of the losses of male subjectivity — losses that , as she is at pains to demonstrate , exceed the moment of castra- tion and sexual ...
... opening essay ( one of film theory's best ) that the notion of lack is nothing more than the projection of the losses of male subjectivity — losses that , as she is at pains to demonstrate , exceed the moment of castra- tion and sexual ...
Síða 145
... opening chapter , which is predominantly visual in orientation . This chapter has the appearance of being tacked on , and for as insightful as it is , one grows eager for Silverman to clarify how woman's voice is involved in the various ...
... opening chapter , which is predominantly visual in orientation . This chapter has the appearance of being tacked on , and for as insightful as it is , one grows eager for Silverman to clarify how woman's voice is involved in the various ...
Síða 9
... opening of the post - 1978 period are welcomed by the professor as a " Spring Breeze . " They bring with them the hope both for a Chinese anthropology , which according to a Chinese scholar in the field , does " not aim at separating ...
... opening of the post - 1978 period are welcomed by the professor as a " Spring Breeze . " They bring with them the hope both for a Chinese anthropology , which according to a Chinese scholar in the field , does " not aim at separating ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth