Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 59
Síða 16
... objects , which allow the feminine identity to float and which make it diffuse , whereby the woman doesn't identify herself " with some- thing in particular , with never being only one " ( Luce Irigaray ) . She becomes the sex that is ...
... objects , which allow the feminine identity to float and which make it diffuse , whereby the woman doesn't identify herself " with some- thing in particular , with never being only one " ( Luce Irigaray ) . She becomes the sex that is ...
Síða 17
... objects ) must be present at the same time . The difference can't be demonstrated otherwise , for if I were to show only the body or only the objects , I wouldn't be portraying the difference . In the representational fusion of body and ...
... objects ) must be present at the same time . The difference can't be demonstrated otherwise , for if I were to show only the body or only the objects , I wouldn't be portraying the difference . In the representational fusion of body and ...
Síða 139
... objects , and intermediate objects ( parts of the child's body ) . Kestenberg specifies different modalities of time for each of these symbi- otic bridges : accessory objects serve to create continuity between past and future ...
... objects , and intermediate objects ( parts of the child's body ) . Kestenberg specifies different modalities of time for each of these symbi- otic bridges : accessory objects serve to create continuity between past and future ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth