Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 46
Síða 34
... never eats a dinner , properly speaking ; he must be a vegetarian , then ; but no ; he never eats even vegetables , he eats nothing but ginger - nuts . . . . Now , what was ginger ? A hot , spicy thing . Was Bartleby hot and spicy ? Not ...
... never eats a dinner , properly speaking ; he must be a vegetarian , then ; but no ; he never eats even vegetables , he eats nothing but ginger - nuts . . . . Now , what was ginger ? A hot , spicy thing . Was Bartleby hot and spicy ? Not ...
Síða 102
... never stands on firm grounds and he never changes . ' Furthermore , the pirate film is cinematic representation par excellence : a showcase for what can be achieved through tricks and decor alone , a measure of technological know - how ...
... never stands on firm grounds and he never changes . ' Furthermore , the pirate film is cinematic representation par excellence : a showcase for what can be achieved through tricks and decor alone , a measure of technological know - how ...
Síða 8
... Never a new vision , a new reading of the human species . At every turn of the page , one finds confusion and obsessions . . [ and ] the illusions of some of our comrades who naively believe that it is sufficient to combine the pursuit ...
... Never a new vision , a new reading of the human species . At every turn of the page , one finds confusion and obsessions . . [ and ] the illusions of some of our comrades who naively believe that it is sufficient to combine the pursuit ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth