From inside the book
Niðurstöður 1 - 3 af 39
Síða 152
learning a language , and separates from the mother and the " impure " bodily experience that she represents . For these reasons , according to Kristeva , later identifications with the mother are a mixed blessing .
learning a language , and separates from the mother and the " impure " bodily experience that she represents . For these reasons , according to Kristeva , later identifications with the mother are a mixed blessing .
Síða 153
Like the mother , he is at one and the same time victim and threat for the writer . In the course of his carnivalesque voyage to the end of the night , Ferdinand does confront the mother . It is in the confrontation and identification ...
Like the mother , he is at one and the same time victim and threat for the writer . In the course of his carnivalesque voyage to the end of the night , Ferdinand does confront the mother . It is in the confrontation and identification ...
Síða 154
This Janus - faced figure of the mother is disseminated throughout Journey to the End of the Night . On the one hand , there is the prostitute Molly , the woman who gives life , who arouses admiration and affection in Ferdinand .
This Janus - faced figure of the mother is disseminated throughout Journey to the End of the Night . On the one hand , there is the prostitute Molly , the woman who gives life , who arouses admiration and affection in Ferdinand .
What people are saying - Write a review
We haven't found any reviews in the usual places.
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
anthropology appears attempt authority becomes Black body castration Chinese cinema civilization colonial complete constructed continue course critical cultural death desire difference discourse discussion distance dominant effect essay ethnography ethnology example exist experience expression fact female femininity feminist figure film function gender give hand human identity issue kind knowledge language lesbian living look Madame male masculine masquerade meaning mother narrative nature never non-Han Notes notion object offers organs perhaps person play pleasure political position possessed possible postmodern practice present problem produce question reading reality refers relation represent representation role scene sense sexual social society sound space speak structure Studies suggests symbolic theory things thought tion traditional turn University voice Western woman women writing York youth