Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 56
Síða 147
... male domination was never far away and as agri- culture became organized and land came to represent status , the parthenogenic field gave place to the male - impregnated furrow . Later , the shift to urban life and the consequent ...
... male domination was never far away and as agri- culture became organized and land came to represent status , the parthenogenic field gave place to the male - impregnated furrow . Later , the shift to urban life and the consequent ...
Síða 148
... male aims of possession and use ( the earth is aestheticized rather than “ tilled " ) . At the end of the book the author returns to Sappho as a model of female subversion within patriarchal culture but throughout the book fails to ...
... male aims of possession and use ( the earth is aestheticized rather than “ tilled " ) . At the end of the book the author returns to Sappho as a model of female subversion within patriarchal culture but throughout the book fails to ...
Síða 124
... male ” voices were often not those of the artists ' but those of the Party and culture . Thus , one could not demand that the women directors do better , probably by employing some different narra- tive strategies , for example . In ...
... male ” voices were often not those of the artists ' but those of the Party and culture . Thus , one could not demand that the women directors do better , probably by employing some different narra- tive strategies , for example . In ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth