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Síða 45
Instead , this idea of a radical break , a violence , or a sacrifice is invested with anguish , anxiety , and an intense sense of loss . In the midst of this very insistent theoriza- tion of the necessary violence of separation and ...
Instead , this idea of a radical break , a violence , or a sacrifice is invested with anguish , anxiety , and an intense sense of loss . In the midst of this very insistent theoriza- tion of the necessary violence of separation and ...
Síða 129
This perspective allows us to theorize age not in terms of losses , as they have typically been defined ( the loss of potency or masculinity , the loss of fertility and femininity ) but rather in terms of gains , or change .
This perspective allows us to theorize age not in terms of losses , as they have typically been defined ( the loss of potency or masculinity , the loss of fertility and femininity ) but rather in terms of gains , or change .
Síða 144
To her credit , Silverman bypasses this route , arguing in her opening essay ( one of film theory's best ) that the notion of lack is nothing more than the projection of the losses of male subjectivity - losses that , as she is at pains ...
To her credit , Silverman bypasses this route , arguing in her opening essay ( one of film theory's best ) that the notion of lack is nothing more than the projection of the losses of male subjectivity - losses that , as she is at pains ...
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Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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