Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 46
Síða 95
... identity , is abandoned in favor of more disquieting ones , namely those linked to masquerade — until everything is ... identity but in a spiral - like energy wavering between exclusion and inclusion , a choreography of permanent ...
... identity , is abandoned in favor of more disquieting ones , namely those linked to masquerade — until everything is ... identity but in a spiral - like energy wavering between exclusion and inclusion , a choreography of permanent ...
Síða 12
... identity , " the film engages the viewer in the cinematic body as spectacle , and is structured around five central sequences whose composition relates to film stills from five well - known films , A Married Woman , Pierrot le fou ...
... identity , " the film engages the viewer in the cinematic body as spectacle , and is structured around five central sequences whose composition relates to film stills from five well - known films , A Married Woman , Pierrot le fou ...
Síða 73
... identity and opposition in the Lacanian Imaginary ( the mirror - phase ) . We cannot help but be ambivalent about the image of an Other that is essential to our own identity but not under our corporeal / mental control . Kaja Silverman ...
... identity and opposition in the Lacanian Imaginary ( the mirror - phase ) . We cannot help but be ambivalent about the image of an Other that is essential to our own identity but not under our corporeal / mental control . Kaja Silverman ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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