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Niðurstöður 1 - 3 af 46
Síða 95
The ordinary function of dress , of marking social status and sexual identity , is abandoned in favor of more ... Stolen from the media's arsenal of second - rate identities , costume and role become not just disengaged from each other ...
The ordinary function of dress , of marking social status and sexual identity , is abandoned in favor of more ... Stolen from the media's arsenal of second - rate identities , costume and role become not just disengaged from each other ...
Síða 12
sessing both Her body and cinema of pristine cultural / gender identities . ... and the ' insider ' categories ] performing in a continual motion of displacement of a unity identity , " the film engages the viewer in the cinematic body ...
sessing both Her body and cinema of pristine cultural / gender identities . ... and the ' insider ' categories ] performing in a continual motion of displacement of a unity identity , " the film engages the viewer in the cinematic body ...
Síða 133
The familial projec- tion , however , negates the text's own engagement with a more autonomous sexual identity on the one hand , and on the other , defines the Dai ( as it does the Han ) as a unit of a ( neo - Confucian ) family .
The familial projec- tion , however , negates the text's own engagement with a more autonomous sexual identity on the one hand , and on the other , defines the Dai ( as it does the Han ) as a unit of a ( neo - Confucian ) family .
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Efni
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