Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 79
Síða 95
... film's overall appearance to a costume ball - " a stylization of stylistic incongruity " 9 - Steinwachs points to the congruencies between collage art , cloth patterns , and patchwork , which calls to mind the association of a female ...
... film's overall appearance to a costume ball - " a stylization of stylistic incongruity " 9 - Steinwachs points to the congruencies between collage art , cloth patterns , and patchwork , which calls to mind the association of a female ...
Síða 98
... film's generic elements represent a disres- pectful imitation of the pirate film , and just as its protagonists are constructed from the vast archives of femininity , so does psychoanalysis provide the material with which to work ...
... film's generic elements represent a disres- pectful imitation of the pirate film , and just as its protagonists are constructed from the vast archives of femininity , so does psychoanalysis provide the material with which to work ...
Síða 102
... film's central figure and the film itself , comes out against a form of interpretation that threatens to impoverish the visible world , for it erects a shadow world of meanings which consequently takes the place of the visible world ...
... film's central figure and the film itself , comes out against a form of interpretation that threatens to impoverish the visible world , for it erects a shadow world of meanings which consequently takes the place of the visible world ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth