Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 78
Síða 85
... film . And therefore the film should be viewed with non - Hollywood filters and should be appreciated and criticized with different criteria . Third World films are perceived as slow by the fast - cutting habits we are used to . Perhaps ...
... film . And therefore the film should be viewed with non - Hollywood filters and should be appreciated and criticized with different criteria . Third World films are perceived as slow by the fast - cutting habits we are used to . Perhaps ...
Síða 124
... film directed by a woman director , Dong Kena , for the Beijing Film Studio , that depicted the initial disappointments , frustrations and struggles of two Han women who assisted the male Han settlers ( truck - drivers ) in the ...
... film directed by a woman director , Dong Kena , for the Beijing Film Studio , that depicted the initial disappointments , frustrations and struggles of two Han women who assisted the male Han settlers ( truck - drivers ) in the ...
Síða 176
... films , and historically ground Black independent cinema in the social , political and cultural overdeterminations of its production . But also , each of these first articles focuses on a region of Black cinematic production , the US ...
... films , and historically ground Black independent cinema in the social , political and cultural overdeterminations of its production . But also , each of these first articles focuses on a region of Black cinematic production , the US ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth