Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 16
Síða 15
... woman , the blockade of the passe , and the cultural portrayals of woman herself were made the theme . For one thing should not be mistaken : there is hardly a feminine imagination or a feminist aesthetic that intends to inscribe itself ...
... woman , the blockade of the passe , and the cultural portrayals of woman herself were made the theme . For one thing should not be mistaken : there is hardly a feminine imagination or a feminist aesthetic that intends to inscribe itself ...
Síða 20
... aesthetic takes recourse almost exclusively to the ( naked ) body of woman or the decoding of the image of woman ... feminist aesthetic of the postmodern to deconstruct woman , to disrobe her of her images , and in performance , to ...
... aesthetic takes recourse almost exclusively to the ( naked ) body of woman or the decoding of the image of woman ... feminist aesthetic of the postmodern to deconstruct woman , to disrobe her of her images , and in performance , to ...
Síða 101
... feminist aesthetic . It is precisely within such a field of tensions that Madame X initially aroused both enthusiastic praise and polemic rejection , a fact on which Ottinger herself has com- mented laconically : " The film was really ...
... feminist aesthetic . It is precisely within such a field of tensions that Madame X initially aroused both enthusiastic praise and polemic rejection , a fact on which Ottinger herself has com- mented laconically : " The film was really ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth