From inside the book
Niðurstöður 1 - 3 af 72
Síða 56
De Lauretis names her subject ( one capable of change and of changing conditions ) the feminist subject , one who is " at the same time inside and outside the ideology of gender , and conscious of being so , conscious of that pull ...
De Lauretis names her subject ( one capable of change and of changing conditions ) the feminist subject , one who is " at the same time inside and outside the ideology of gender , and conscious of being so , conscious of that pull ...
Síða 57
First , consider the feminist genuflection of the 1980s the catechism of " working - class - women - of - color " that feminist theorists feel impelled to invoke at the outset of their research . What's wrong with this picture ?
First , consider the feminist genuflection of the 1980s the catechism of " working - class - women - of - color " that feminist theorists feel impelled to invoke at the outset of their research . What's wrong with this picture ?
Síða 59
This " compulsory " adaptation of lesbian feminist identifi- cation must be understood as a defensive posture , created by the homophobia that operated in the early movement , particularly within the so - called Consciousness - Raising ...
This " compulsory " adaptation of lesbian feminist identifi- cation must be understood as a defensive posture , created by the homophobia that operated in the early movement , particularly within the so - called Consciousness - Raising ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
anthropology appears attempt authority becomes Black body castration Chinese cinema civilization colonial complete constructed continue course critical cultural death desire difference discourse discussion distance dominant effect essay ethnography ethnology example exist experience expression fact female femininity feminist figure film function gender give hand human identity issue kind knowledge language lesbian living look Madame male masculine masquerade meaning mother narrative nature never non-Han Notes notion object offers organs perhaps person play pleasure political position possessed possible postmodern practice present problem produce question reading reality refers relation represent representation role scene sense sexual social society sound space speak structure Studies suggests symbolic theory things thought tion traditional turn University voice Western woman women writing York youth