Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 11
... ethical agendas . As a Han woman herself , Yau's exploration of the dominant and minority cultures within the Chinese entity unavoidably turns her " reading the Other . . . into a confronta- tion with the Self . " Her analysis discusses ...
... ethical agendas . As a Han woman herself , Yau's exploration of the dominant and minority cultures within the Chinese entity unavoidably turns her " reading the Other . . . into a confronta- tion with the Self . " Her analysis discusses ...
Síða 122
... ethical scrutiny , the elaborate beautifying of women's bodies and gestures was actually looked upon as " natural " in " national minorities films " and literature . This " trivial genre " that had a marginal position in the history of ...
... ethical scrutiny , the elaborate beautifying of women's bodies and gestures was actually looked upon as " natural " in " national minorities films " and literature . This " trivial genre " that had a marginal position in the history of ...
Síða 133
... ethical scheme onto this representation of cultural differ- ences intended for Han self - criticism re - enacts the repressive mechanism that the film sets out to criticize . As such , it reveals a Han woman's psychological needs , i.e. ...
... ethical scheme onto this representation of cultural differ- ences intended for Han self - criticism re - enacts the repressive mechanism that the film sets out to criticize . As such , it reveals a Han woman's psychological needs , i.e. ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth