Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 14
Síða 15
... escape that ambivalence of the work of culture between transformation of the body ( the ego as object ) and transformation of the id ( the id as ego ) in order to achieve a specific feminine aesthetic , an art with Eigen - Sinn , a ...
... escape that ambivalence of the work of culture between transformation of the body ( the ego as object ) and transformation of the id ( the id as ego ) in order to achieve a specific feminine aesthetic , an art with Eigen - Sinn , a ...
Síða 91
... escape to carry out piracy on the high seas . . " For the film offers an escape from the boredom inherent in these categories . The circumstances in which the women receive their calling already seal the structural absence of men from ...
... escape to carry out piracy on the high seas . . " For the film offers an escape from the boredom inherent in these categories . The circumstances in which the women receive their calling already seal the structural absence of men from ...
Síða 98
... escape the dogmatism both of psychoanalytic and feminist readings . Again , irony becomes the mode of trans- formation . Just as the film's generic elements represent a disres- pectful imitation of the pirate film , and just as its ...
... escape the dogmatism both of psychoanalytic and feminist readings . Again , irony becomes the mode of trans- formation . Just as the film's generic elements represent a disres- pectful imitation of the pirate film , and just as its ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth