Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 63
... dominant class . Then such metaphors operate to display the breadth of the art collection , or style collection of - in this case the straight author . Just as the French term film noir became the name for American B - movies of the ...
... dominant class . Then such metaphors operate to display the breadth of the art collection , or style collection of - in this case the straight author . Just as the French term film noir became the name for American B - movies of the ...
Síða 126
... dominant economy of desire in an attempt to remain ' on the market ' in spite of everything . " This is surely relevant to the analysis of masquerade in the context of age . In Aschenbach's gestures we read his submission to the dominant ...
... dominant economy of desire in an attempt to remain ' on the market ' in spite of everything . " This is surely relevant to the analysis of masquerade in the context of age . In Aschenbach's gestures we read his submission to the dominant ...
Síða 11
... dominant Han's own political and ethical agendas . As a Han woman herself , Yau's exploration of the dominant and minority cultures within the Chinese entity unavoidably turns her “ reading the Other . . . into a confronta- tion with ...
... dominant Han's own political and ethical agendas . As a Han woman herself , Yau's exploration of the dominant and minority cultures within the Chinese entity unavoidably turns her “ reading the Other . . . into a confronta- tion with ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth