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Síða 51
She does so by focusing on ( and demonstrating that Hitchcock focuses on ) the subjectivity of the central female char- acter , Alice . For instance , with reference to the scene of the rape in the artist's studio , Modleski claims ...
She does so by focusing on ( and demonstrating that Hitchcock focuses on ) the subjectivity of the central female char- acter , Alice . For instance , with reference to the scene of the rape in the artist's studio , Modleski claims ...
Síða 70
The kiss , as Shaw and Weaver demonstrate in their swooping image of it , positioned at its most cliché niche at the end of the narra- tive , is always the high camp kiss . Again , Baudrillard : seduction doesn't " recuperate the ...
The kiss , as Shaw and Weaver demonstrate in their swooping image of it , positioned at its most cliché niche at the end of the narra- tive , is always the high camp kiss . Again , Baudrillard : seduction doesn't " recuperate the ...
Síða 144
... an area that Silverman demonstrates to be as rigorously organized by the notion of sexual difference as its more familiar visual counterpart . In a very real sense , Silverman's argument provides the auditory equivalent of Mulvey's ...
... an area that Silverman demonstrates to be as rigorously organized by the notion of sexual difference as its more familiar visual counterpart . In a very real sense , Silverman's argument provides the auditory equivalent of Mulvey's ...
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Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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