Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 128
... dance and major pleasures were in admiring what she was " ( 136 ) . - - In Death in Venice and The Eye of the Storm the passages I have chosen of the aging body - in - masquerade express the limit toward which the body tends in old age ...
... dance and major pleasures were in admiring what she was " ( 136 ) . - - In Death in Venice and The Eye of the Storm the passages I have chosen of the aging body - in - masquerade express the limit toward which the body tends in old age ...
Síða 59
... dance on the limited space of a chair . Why ? LJ : Once again we did not want to simulate the mad woman's dance which I am quite capable of doing in an open space . Instead we wanted the most restricted of spaces in which to dance in ...
... dance on the limited space of a chair . Why ? LJ : Once again we did not want to simulate the mad woman's dance which I am quite capable of doing in an open space . Instead we wanted the most restricted of spaces in which to dance in ...
Síða 60
... dancing shoes while the dance itself starts as a cha cha cha that goes berserk when one hand starts hitting the other and the energy of the movement rocks the chair . The conception of this dance is the nearest thing to a static dance ...
... dancing shoes while the dance itself starts as a cha cha cha that goes berserk when one hand starts hitting the other and the energy of the movement rocks the chair . The conception of this dance is the nearest thing to a static dance ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth