Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 79
Síða 14
... culture becomes recognizable . The passe becomes for woman a dead - end street - an impasse . The misery of the culture is increased still more , inasmuch as the cultural work of woman counts for little in it , and must necessarily ...
... culture becomes recognizable . The passe becomes for woman a dead - end street - an impasse . The misery of the culture is increased still more , inasmuch as the cultural work of woman counts for little in it , and must necessarily ...
Síða 15
... cultural portrayals of woman herself were made the theme . For one thing should not be mistaken : there is hardly a feminine imagination or a feminist aesthetic that intends to inscribe itself into the " culture " that would not have ...
... cultural portrayals of woman herself were made the theme . For one thing should not be mistaken : there is hardly a feminine imagination or a feminist aesthetic that intends to inscribe itself into the " culture " that would not have ...
Síða 134
... cultural differences . Nevertheless , in the context of cultural exchange , such a projective mechanism also becomes complicit in colonizing another culture ( in this case , by using Ya , the most mythical figure in Dai culture , for ...
... cultural differences . Nevertheless , in the context of cultural exchange , such a projective mechanism also becomes complicit in colonizing another culture ( in this case , by using Ya , the most mythical figure in Dai culture , for ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth