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Síða 89
Precisely by imitating the genre's narrative strategies , the film commits similar crimes on the level of cinematic representation . It appropriates all symbolic values and then uses them for subversive purposes .
Precisely by imitating the genre's narrative strategies , the film commits similar crimes on the level of cinematic representation . It appropriates all symbolic values and then uses them for subversive purposes .
Síða 122
... sexual behavior outside the institutions of reproduction and economic production ; for during political movements , such behaviors were persistently identified and defined as not just a moral crime , but a political crime as well .
... sexual behavior outside the institutions of reproduction and economic production ; for during political movements , such behaviors were persistently identified and defined as not just a moral crime , but a political crime as well .
Síða
... Practical Patriotism : NAMPI Enlists in World War I Michelle Hilmes , The " Ban " that Never Was : Hollywood and the Broadcast- ing Industry in 1932 Denise Hartsough , Crime Pays : The Studios ' Labor Deals in the 1930's Larry ...
... Practical Patriotism : NAMPI Enlists in World War I Michelle Hilmes , The " Ban " that Never Was : Hollywood and the Broadcast- ing Industry in 1932 Denise Hartsough , Crime Pays : The Studios ' Labor Deals in the 1930's Larry ...
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Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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