Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 56
Síða 88
... come to resemble the " repressive fifties " when the film pirate took to the waves , the more longingly is our gaze fixed ... comes a moment when the flow of repetition is arrested and the imaginary is called to order - and to arms . The ...
... come to resemble the " repressive fifties " when the film pirate took to the waves , the more longingly is our gaze fixed ... comes a moment when the flow of repetition is arrested and the imaginary is called to order - and to arms . The ...
Síða 101
... come as he had ordered . " The old Diafara , too , turned to a Sofa chief and said to him : " Koniba Koudala , the chief of the district says that the great Commandant has said : ' Why have people not come as I had ordered ? ' " Koniba ...
... come as he had ordered . " The old Diafara , too , turned to a Sofa chief and said to him : " Koniba Koudala , the chief of the district says that the great Commandant has said : ' Why have people not come as I had ordered ? ' " Koniba ...
Síða 134
... come to an interpretation about a certain colonializing gesture : it is benign , unassuming , apparently necessary to ... comes from an eruption of feelings that the Han woman character , writer , and director have contained inside ...
... come to an interpretation about a certain colonializing gesture : it is benign , unassuming , apparently necessary to ... comes from an eruption of feelings that the Han woman character , writer , and director have contained inside ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth