Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 34
... character's " surface " and his psychological inte- rior , past history , or " soul . " All we and the characters in the story know about Bartleby is what he appears to be at a single moment ; and because this appearance is defined only ...
... character's " surface " and his psychological inte- rior , past history , or " soul . " All we and the characters in the story know about Bartleby is what he appears to be at a single moment ; and because this appearance is defined only ...
Síða 68
... characters . This final fiction as fiction allows Weaver and Shaw to slip easily from one narrative to another , to yet another , unbound by through - lines , plot structure , or a stable sense of character because they are fictional at ...
... characters . This final fiction as fiction allows Weaver and Shaw to slip easily from one narrative to another , to yet another , unbound by through - lines , plot structure , or a stable sense of character because they are fictional at ...
Síða 76
... characters - and emotional realism involved with the structures of feeling associated with specific forms of interaction among characters . 14 KEY PARADIGMS PORNO : VOYEURISM ETHNO : PANOPTICON Sexual actors are watched , while cultural ...
... characters - and emotional realism involved with the structures of feeling associated with specific forms of interaction among characters . 14 KEY PARADIGMS PORNO : VOYEURISM ETHNO : PANOPTICON Sexual actors are watched , while cultural ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth