Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 36
Síða 144
... argument provides the auditory equivalent of Mulvey's remarks on classical cinema's " visual pleasure " since both assert that woman's enunciative power has been withheld from her . Yet Silverman extends this observation into the domain ...
... argument provides the auditory equivalent of Mulvey's remarks on classical cinema's " visual pleasure " since both assert that woman's enunciative power has been withheld from her . Yet Silverman extends this observation into the domain ...
Síða 145
... argues instead for its highly mediated and discursive nature . This is a crucial point given the frequency even within the most sophisticated of critical theory with which music and the voice have been construed as speaking some form of ...
... argues instead for its highly mediated and discursive nature . This is a crucial point given the frequency even within the most sophisticated of critical theory with which music and the voice have been construed as speaking some form of ...
Síða 148
... argue this alternative . The Sapphic voice , which might have been the structural center of her argument remains largely ignored . The author's most successful chapter is her discussion of Plato , who , in his depiction of Socrates ...
... argue this alternative . The Sapphic voice , which might have been the structural center of her argument remains largely ignored . The author's most successful chapter is her discussion of Plato , who , in his depiction of Socrates ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth