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Síða 25
The contemporary art of women shows us that woman has for a long time already viewed her body from the outside , almost as instrumental , although women artists still sometimes believe themselves to be portraying the body ...
The contemporary art of women shows us that woman has for a long time already viewed her body from the outside , almost as instrumental , although women artists still sometimes believe themselves to be portraying the body ...
Síða 84
If this suffering is the mark of true thought , it's because we think in the already - thought , in the inscribed . And because it's difficult to leave something hanging in abeyance or take it up again in a different way so what hasn't ...
If this suffering is the mark of true thought , it's because we think in the already - thought , in the inscribed . And because it's difficult to leave something hanging in abeyance or take it up again in a different way so what hasn't ...
Síða 148
Granted , this voice uses a language that is " always - already " androcentric , but in using it , the poet expresses the subversive potential of female desire . Briefly explicating one poem , duBois admits that Sappho creates an image ...
Granted , this voice uses a language that is " always - already " androcentric , but in using it , the poet expresses the subversive potential of female desire . Briefly explicating one poem , duBois admits that Sappho creates an image ...
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Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth