Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
Niðurstöður 1 - 3 af 7
Síða 60
... false . The controlling agents of the status quo may know the power of lies ; dissident subcultures , however , are closer to knowing their value . ' " ' 9 Camp both articulates the lives of homosexuals through the obtuse tone of irony ...
... false . The controlling agents of the status quo may know the power of lies ; dissident subcultures , however , are closer to knowing their value . ' " ' 9 Camp both articulates the lives of homosexuals through the obtuse tone of irony ...
Síða 89
... false , conventional expectations . " The film utilizes the structures of ambivalence inherent in the genre and takes them as the mold by which to confront the problematic of femininity and representation while at the same time avoiding ...
... false , conventional expectations . " The film utilizes the structures of ambivalence inherent in the genre and takes them as the mold by which to confront the problematic of femininity and representation while at the same time avoiding ...
Síða 45
... false ideas . Ethnology is a false idea . It is the permanent consciousness of a policy of domination which no longer dares speak its name . Negritude is the expression of this repression . The negritude of today is the present form of ...
... false ideas . Ethnology is a false idea . It is the permanent consciousness of a policy of domination which no longer dares speak its name . Negritude is the expression of this repression . The negritude of today is the present form of ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth