Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111988 |
From inside the book
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Síða 121
... Aschenbach's desire ? Death in Venice is a story so well known that it can be taken as a parable of the dominant discourse of aging in the West . We remember that Aschenbach is a failing writer ( in this modernist narrative aging and ...
... Aschenbach's desire ? Death in Venice is a story so well known that it can be taken as a parable of the dominant discourse of aging in the West . We remember that Aschenbach is a failing writer ( in this modernist narrative aging and ...
Síða 122
... Aschenbach sees a man in a crowd of raucous young people . From a distance he seems to be one of them . On closer inspection Aschenbach discovers that he is old ( " the dull carmine of the cheeks was rouge , the brown hair a wig ...
... Aschenbach sees a man in a crowd of raucous young people . From a distance he seems to be one of them . On closer inspection Aschenbach discovers that he is old ( " the dull carmine of the cheeks was rouge , the brown hair a wig ...
Síða 123
... Aschenbach's , imperiously imply that they should know better and that we do.2 - - Death in Venice takes a dark if not tragic view of the aging body - in - masquerade . The implication in this modernist text is that youth and age the ...
... Aschenbach's , imperiously imply that they should know better and that we do.2 - - Death in Venice takes a dark if not tragic view of the aging body - in - masquerade . The implication in this modernist text is that youth and age the ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth