Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 19,Útgáfa 11996 |
From inside the book
Niðurstöður 1 - 3 af 16
Síða 137
... film of this forgotten Yiddish film director . As Antinov , Antin has inserted herself into the discourse of creative artifact as history . From this vantage point she can re - image an extinct world by creating a fiction and turning it ...
... film of this forgotten Yiddish film director . As Antinov , Antin has inserted herself into the discourse of creative artifact as history . From this vantage point she can re - image an extinct world by creating a fiction and turning it ...
Síða 145
... film becomes a series of doublings that frame the experience of those watching and thinking about the film . This functions like photorealist painting , in which part of the experience is the knowledge that the hand - painted work looks ...
... film becomes a series of doublings that frame the experience of those watching and thinking about the film . This functions like photorealist painting , in which part of the experience is the knowledge that the hand - painted work looks ...
Síða 156
... film uses time to generate its own present / presence . And ours . The film becomes a space for contemplation . The viewer is not hauled into the screen as if it were a time capsule and taken into a new time zone . Rather , there is the ...
... film uses time to generate its own present / presence . And ours . The film becomes a space for contemplation . The viewer is not hauled into the screen as if it were a time capsule and taken into a new time zone . Rather , there is the ...
Efni
Secular Jews Preservation and Destruction | 3 |
Jewish Gauchos and Jewish Others or Culture | 15 |
A Family History Recalled | 29 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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