Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 19,Útgáfa 31997 |
From inside the book
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Síða 55
... spectator ( we might add , the spectator whose historically specific social and gender position allows him / her to identify with this location ) . Geometric perspec- tive in the sphere of pictures is an equivalent for Descartes ...
... spectator ( we might add , the spectator whose historically specific social and gender position allows him / her to identify with this location ) . Geometric perspec- tive in the sphere of pictures is an equivalent for Descartes ...
Síða 127
... spectator , is Elizabeth Cowie's work on fantasy and identification . Cowie undertakes a particularly close reading of the 1978 film Coma as it conforms to genre - specific conventions of viewer identification with the main protagonist ...
... spectator , is Elizabeth Cowie's work on fantasy and identification . Cowie undertakes a particularly close reading of the 1978 film Coma as it conforms to genre - specific conventions of viewer identification with the main protagonist ...
Síða 128
... spectator's ability to oscillate between various modes of identi- fication has been observed by some critics as a somewhat desperate " saving device " against the depressing limitations classic cinema places on female spectators ...
... spectator's ability to oscillate between various modes of identi- fication has been observed by some critics as a somewhat desperate " saving device " against the depressing limitations classic cinema places on female spectators ...
Efni
Interview with Kaja Silverman | 3 |
Empire of the Closet | 67 |
Book Reviews | 144 |
Höfundarréttur | |
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ACT-UP ACT-UP Paris aesthetic AIDS Alberto Giacometti anorexia anorexics argued audience Bataille black British black British cultural body British cultural studies Calvin Klein camera cinema claim closet Collard concept context Crawford critics critique cultural studies Cyril Collard Damme Damme's Death of Saint discourse Eliot empire erotic essay ethnicity fantasy female feminine figures film filmmakers French Freud gaze gender geometric perspective heterosexual homoerotic homoeroticism homosexual homosexuels Hüser ideal identification and desire images individual Lacan Lacan's theories lesbian light look mainstream male masculine Miller Minotaure mirror stage modern notion object photography play pleasure poem poem's political Pollak position psychic Psychoanalysis reader reading relation representation role sacred safer sex Saint Narcissus Savage Nights screen Sedgwick sexuality sida Sidaction 96 Silverman social Soukaz spectator surrealist T. S. Eliot television tradition Trans transgressive University viewer visible visual Waste Land woman women writing York