Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 19,Útgáfa 31997 |
From inside the book
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Síða 43
... gaze that is outside . It is through the gaze that I enter light and it is from the gaze that I receive its effects . Hence it comes about that the gaze is the instrument through which light is embodied and through which — if you will ...
... gaze that is outside . It is through the gaze that I enter light and it is from the gaze that I receive its effects . Hence it comes about that the gaze is the instrument through which light is embodied and through which — if you will ...
Síða 45
... gaze of the camera.1 At times a mirror image appears on this scene , reassuringly reflecting the “ real ” as a silver - plated photographic object ( figure 1 ) staged next to a human gaze armed with a camera lens . 1. On the Crossroads ...
... gaze of the camera.1 At times a mirror image appears on this scene , reassuringly reflecting the “ real ” as a silver - plated photographic object ( figure 1 ) staged next to a human gaze armed with a camera lens . 1. On the Crossroads ...
Síða 49
... gaze is that underside of consciousness , how shall we try to imagine it ? " ( Four 83 ) . Following Freud , Lacan plants the dream as an antidote to Descartes ' cogito : “ . . . that which appears from the position of the subject when ...
... gaze is that underside of consciousness , how shall we try to imagine it ? " ( Four 83 ) . Following Freud , Lacan plants the dream as an antidote to Descartes ' cogito : “ . . . that which appears from the position of the subject when ...
Efni
Interview with Kaja Silverman | 3 |
Empire of the Closet | 67 |
Book Reviews | 144 |
Höfundarréttur | |
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ACT-UP ACT-UP Paris aesthetic AIDS Alberto Giacometti anorexia anorexics argued audience Bataille black British black British cultural body British cultural studies Calvin Klein camera cinema claim closet Collard concept context Crawford critics critique cultural studies Cyril Collard Damme Damme's Death of Saint discourse Eliot empire erotic essay ethnicity fantasy female feminine figures film filmmakers French Freud gaze gender geometric perspective heterosexual homoerotic homoeroticism homosexual homosexuels Hüser ideal identification and desire images individual Lacan Lacan's theories lesbian light look mainstream male masculine Miller Minotaure mirror stage modern notion object photography play pleasure poem poem's political Pollak position psychic Psychoanalysis reader reading relation representation role sacred safer sex Saint Narcissus Savage Nights screen Sedgwick sexuality sida Sidaction 96 Silverman social Soukaz spectator surrealist T. S. Eliot television tradition Trans transgressive University viewer visible visual Waste Land woman women writing York