Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 37
... whole criminal justice system was corrupt in its treatment of black Americans , he said . He wanted justice , nothing less . ( 84 ) The idea here that Maddox's " agenda " is all that matters to him helps to explain why he would so ...
... whole criminal justice system was corrupt in its treatment of black Americans , he said . He wanted justice , nothing less . ( 84 ) The idea here that Maddox's " agenda " is all that matters to him helps to explain why he would so ...
Síða 97
... whole world and to the whole world ; the subject of my film is man , it's you , if it's a well - known actor , he'll act as a screen ( faire écran ) . Niney : That means privileging a documentary approach , even if it means making ...
... whole world and to the whole world ; the subject of my film is man , it's you , if it's a well - known actor , he'll act as a screen ( faire écran ) . Niney : That means privileging a documentary approach , even if it means making ...
Síða 122
... whole Gilded Age through other readings that can supplement Martí . Unfortunately , the whole Chicano cultural studies project seems disar- ticulated . Stuart Hall has questioned the textualization of cultural studies . Rosaura Sánchez ...
... whole Gilded Age through other readings that can supplement Martí . Unfortunately , the whole Chicano cultural studies project seems disar- ticulated . Stuart Hall has questioned the textualization of cultural studies . Rosaura Sánchez ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York