Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 9
Síða 65
... voice - over , and on the screen came the image of crowds of people standing and cheering at the Olympics . The moment of knowledge was suspended between the apparatus that enacted the process of investigation , the subject presumed to ...
... voice - over , and on the screen came the image of crowds of people standing and cheering at the Olympics . The moment of knowledge was suspended between the apparatus that enacted the process of investigation , the subject presumed to ...
Síða 75
... over the gaps and suppressing obstinant differences that might interrupt assimilative narrative impulses . The film opens with a voice - over from Max , Clay's analyst , who asks : How is it that we know who we are ? We might wake up in ...
... over the gaps and suppressing obstinant differences that might interrupt assimilative narrative impulses . The film opens with a voice - over from Max , Clay's analyst , who asks : How is it that we know who we are ? We might wake up in ...
Síða 42
... voice - over narrates the scenes , expounding about the goodness of destruction . The word " Hyksos " is clearly interjected several times in this monologue . Anna soon takes out a pocket mirror and holds it before her at an angle in ...
... voice - over narrates the scenes , expounding about the goodness of destruction . The word " Hyksos " is clearly interjected several times in this monologue . Anna soon takes out a pocket mirror and holds it before her at an angle in ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York