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Síða 95
The speaker of the poem ( or the principal voice of the son ) , identifiable as another Afro - Cuban by her speech in the idiom of the black urban underclass , is likely the boy's lover who is paying his keep .
The speaker of the poem ( or the principal voice of the son ) , identifiable as another Afro - Cuban by her speech in the idiom of the black urban underclass , is likely the boy's lover who is paying his keep .
Síða 96
The voice of the Afro - Cuban bongo drum , speaker of the hybrid phrase , “ sóngoro cosongo , " a chant intermixing African and Spanish elements to the extent that they are inseparable ( this inseparability precisely being Guillén's ...
The voice of the Afro - Cuban bongo drum , speaker of the hybrid phrase , “ sóngoro cosongo , " a chant intermixing African and Spanish elements to the extent that they are inseparable ( this inseparability precisely being Guillén's ...
Síða 109
... the principal voice , sometimes in harmony with a second voice ; and the coro ( which may also be called the ... the sonsonete , or the bordón ) in which voices of the players of other instruments reply to or second the motivo ...
... the principal voice , sometimes in harmony with a second voice ; and the coro ( which may also be called the ... the sonsonete , or the bordón ) in which voices of the players of other instruments reply to or second the motivo ...
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