Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 95
... voice of Caliban , or the voice of the bongo drum , erupts within the dominant European language of Afro - Cuban poetry . Guillén's famous poem " Sensemayá " is a translation / transculturation into Cuban poetry of an Afro - Cuban ...
... voice of Caliban , or the voice of the bongo drum , erupts within the dominant European language of Afro - Cuban poetry . Guillén's famous poem " Sensemayá " is a translation / transculturation into Cuban poetry of an Afro - Cuban ...
Síða 96
... voice . With Songoro cosongo and West Indies , Ltd. , Guillén continued his exploration of Afro - Cuban themes , speech , and music . Robert Chrisman remarks that had “ Guillén's career ended with Motivos de Son , he would have been ...
... voice . With Songoro cosongo and West Indies , Ltd. , Guillén continued his exploration of Afro - Cuban themes , speech , and music . Robert Chrisman remarks that had “ Guillén's career ended with Motivos de Son , he would have been ...
Síða 109
... voice , sometimes in harmony with a second voice ; and the coro ( which may also be called the estribillo , the sonsonete , or the bordón ) in which voices of the players of other instruments reply to or second the motivo " ( Ellis ...
... voice , sometimes in harmony with a second voice ; and the coro ( which may also be called the estribillo , the sonsonete , or the bordón ) in which voices of the players of other instruments reply to or second the motivo " ( Ellis ...
Efni
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
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