Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 66
Síða 71
... visual as an insistent sign of identity . Viewers are tensionally pinned between the film's visual insistence on Clay's skin and its conceptual refusal to remark this particular difference . [ See Figure 1 ] Suture consequently takes ...
... visual as an insistent sign of identity . Viewers are tensionally pinned between the film's visual insistence on Clay's skin and its conceptual refusal to remark this particular difference . [ See Figure 1 ] Suture consequently takes ...
Síða 13
... visual . But “ visual ” is a large and amor- phous category , which would seem to require further qualification . This sequence provides the necessary refinement . It suggests that the body which we turn toward the world of the Other is ...
... visual . But “ visual ” is a large and amor- phous category , which would seem to require further qualification . This sequence provides the necessary refinement . It suggests that the body which we turn toward the world of the Other is ...
Síða 44
... visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has served as a metaphor throughout the film . Notes I am grateful to Kaja ...
... visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has served as a metaphor throughout the film . Notes I am grateful to Kaja ...
Efni
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
10 aðrir hlutar ekki sýndir
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